Well,
James Cameron has reportedly acquired author Charles Pellegrino's rights for Ghosts of Hiroshima-the book yet to come. He's set to convert this book into a film once he is done shooting the much-awaited sequels of Avatar. The movie will be based on two of Pellegrino's non-fiction books, Ghosts of Hiroshima and Last Train from Hiroshima, and marks Cameron's first non-Avatar film since his 1997 blockbuster Titanic.
Cameron hinted the two books would be melded together into one rather harsh, theatrical feature. The title of the film will be Last Train From Hiroshima, taken from Pellegrino's 2015 book.
Actually, the plot is based on the real story of Tsutomu Yamaguchi, a man who survived the atomic bombing of Hiroshima in World War II and then had to deal with the Nagasaki blast only days after. In Pellegrino's books, the reader is led through historical events during those times with the help of both Japanese survivors and American airmen as narrators, reconstructing destruction through forensic archaeology. The atomic bombings, that occurred during August 1945, killed about 150,000 to 246,000 people and left a scar on history.
Cameron has long wanted to make a nuclear-war-film. He found a personal reason in meeting Yamaguchi just before he died. "It's a story that has to be told to generations of people to come," he said. Cameron himself has earlier films where he explores the dangers of nuclear conflict-the great popular hits, Terminator and Terminator 2: Judgment Day.
Blackstone Publishing, which will publish Pellegrino's Ghosts of Hiroshima in August 2025 on the 80th anniversary of the bombing of Hiroshima, are thrilled with the project. They also added that Ghosts of Hiroshima would be part of the movie material.
Interestingly, when he was canvassing his Oscar-winning film Oppenheimer, Christopher Nolan had averred that he wished somebody someday told the story of the bomb's impact on Japan. Well, Cameron now seems ready to take on this task, using his history of making stunning visual films with ideas that propel truly compelling stories in front of the camera.