This story is from January 17, 2024

Cinematographer Theni Eswar applauds Mammootty's magical shift into characters on screen

Noted cinematographer Theni Eswar, known for his collaborations with the iconic actor Mammootty on multiple projects, has recently lauded the star's captivating skill to effortlessly inhabit a range of characters. Eswar specifically pointed out Mammootty's enchanting metamorphosis, drawing examples from acclaimed films such as 'Peranbu' and the recent medical thriller 'Abraham Ozler.'
Cinematographer Theni Eswar applauds Mammootty's magical shift into characters on screen
(Picture Courtesy: Facebook)
Renowned cinematographer Theni Eswar, who has collaborated with the legendary actor Mammootty on several projects, recently praised the star's mesmerizing ability to seamlessly embody diverse characters. Theni Eswar highlighted Mammootty's magical transformation, citing instances from notable films like 'Peranbu' and the recent medical thriller 'Abraham Ozler.'

In an interview with Team Jango Space, Theni Eswar expressed awe at Mammootty's capacity to immerse himself instantly into the essence of each character, citing the portrayal of James and Sundaram in 'Nanpakal Nerathu Mayakkam' and the role of Alexander in 'Abraham Ozler.' According to Theni Eswar, Mammootty's transition is so seamless that within a split second, the actor transforms from a casual conversation to embodying the depth and nuances of a character.
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The cinematographer recalled an emotional scene from 'Peranbu,' where Mammootty's character engages in a conversation with a sex worker to secure a companion for his daughter. Theni Eswar emphasized that this particular scene, unprecedented in world cinema, left a profound impact, evoking goosebumps. Mammootty's commitment to the craft was further demonstrated when, during the shoot, the actress playing the sex worker hesitated to physically confront the character played by the superstar. Mammootty, with his characteristic humility, reassured the actress, saying, "No problem. You can beat on my face," swiftly transitioning into character mode when the director called 'Action.'
Theni Eswar lauded Mammootty's ability to effortlessly shift into character with such precision, creating an impressive and magical on-screen presence.
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