‘Komala Thaamara’: Rajisha Vijayan stuns the audience with her glamorous dance number from ‘Masthishkamaranam’

She can be Eli, the girl-next-door, and also Raaji, the village belle. She can ace nuanced characters and also nail glamorous songs! We are talking about Rajisha Vijayan, who has now left fans spellbound with her new avatar for ‘Masthishkamaranam’. Rajisha Vijayan appeared in a dance number, ‘Komala Thaamara’, for the upcoming Malayalam film ‘Masthishkamaranam’, and the internet has gone frenzy! The foot-tapping single ‘Komala Thaamara’ features Rajisha Vijayan in a striking, bold avatar, and just like the roles she has played in the past, the actress handles it with grace. Composed by Varkey, the song is sung by Pranavam Sasi. Anil Lal handles the Malayalam lyrics and rap vocals, while Andre handles the Tamil.“The Dazzling Song of The Year...#KomalaThaamara from #MasthishkaMaranam is Out Now!” the makers said, launching the song. ID@undefined Caption not available.Directed by Krishand, ‘Masthishkamaranam’ is touted to be a mind‑bending cyberpunk sci‑fi comedy. The film has an ensemble cast of Rajisha Vijayan, Niranj Maniyanpilla Raju, Vishnu Agasthya, Divyaprabha, Jagadeesh, and Suresh Krishna in the lead roles.On the technical front, Prayag Mukundan has roped in as the cinematographer, and the director himself is in charge of the edits. The music and sound design are done by Varkey. The lyrics are penned by Vinayak Sasikumar and Vaisakh Sugunan. Krishand, along with Alvin Joseph are in charge of the art direction. The costumes are designed by Divya Joby. The make-up is done by Arshad Varkala, and the stunts are choreographed by Shravan Satya.Meanwhile, on the work front, Rajisha Vijayan was last seen in Mammootty starrer ‘Kalamkaval’. TOI ranked the film 3 stars, and the review reads, “Mammootty remains the film’s biggest asset, delivering a performance sharpened by stillness and cold precision. Ultimately, 'Kalamkaval' is a film elevated by its lead actors and its atmospheric world, even if the storytelling occasionally falters. It remains a watch for Mammootty’s enigmatic presence and the unsettling psychological duel at its core.”