Is Bad Bunny’s “La Casita” during the Super Bowl Halftime Show real? Fans curious if the vibrant house is real

Bad Bunny's Super Bowl Halftime Show was never going to be just a string of hits under bright lights. The Grammy winner used the Super Bowl LX stage on Feb. 8 to project Puerto Rico onto one of the world’s biggest platforms, folding history, pride and subtle political notes into a performance that felt personal as much as spectacular.He opened with “Tití Me Preguntó,” framed by a backdrop of sugar cane fields that echoed the landscape of his birthplace, Bayamón. Dancers in traditional pava straw hats surrounded him. It was a sharp visual choice. Even before the beat dropped, the message was clear. This was not a generic halftime set. It was a tribute.The heart of the Bad Bunny Super Bowl Halftime Show stood tall at midfield. La Casita returned, this time scaled for Levi’s Stadium in Santa Clara, California. After his recent Grammy wins and the release of his sixth studio album, Debí Tirar Más Fotos, Benito Antonio Martínez Ocasio brought the symbolic house from his Puerto Rican residency to the NFL stage.He sprinted up its steps to perform “Yo Perreo Sola,” turning the structure into both a set piece and a statement. Celebrities including Pedro Pascal, Cardi B, Jessica Alba, Karol G and Young Miko appeared inside, continuing a tradition from his 31-day “No Me Quiero Ir de Aquí” residency in San Juan, where invited guests watched the show from the house itself. The original home belongs to 84-year-old Román Carrasco Delgado in Humacao. It first appeared in the short film tied to Debí Tirar Más Fotos and later inspired the residency’s main stage. The replica, designed for large-scale production, kept the spirit but adapted the layout. According to The New York Times, designer Mayna Magruder Ortiz said parts of the structure, like the kitchen, preserved the original look while being reimagined as a functional bar for concertgoers.Still, the real property has drawn complications. Carrasco Delgado reportedly filed a $1 million lawsuit, claiming the use of his home caused him “emotional distress,” as a “large number of people” now visit daily to take photos and videos, transforming the quiet residence into a tourist stop.For the Super Bowl edition, production designer Julio Himede and creative director Harriet Cuddeford worked alongside Puerto Rican designer Mónica Monserrate to recreate the energy of the residency on football’s biggest night. The result felt deliberate. Every plank and paint color pointed back to the island.Bad Bunny did not just headline a halftime show. He built a bridge to Puerto Rico and invited millions to cross it.