From Seoul to Moscow: How an Indie Film from Madagascar Stole the Spotlight at the International Film Festival

Director Jeong Choshin, who had long worked in commercial films, was encouraged by his wife, a screenwriter, to explore a new creative challenge in independent, art-house cinema. Wanting to step away from conventional storytelling, Jeong chose Madagascar for its untouched beauty and the purity of its people, which fit perfectly with a story about everyday individuals searching for their dreams and meaning. The film tells the journey of three ordinary people: a small-town photographer, an unknown singer, and a street food vendor. Traveling across Madagascar, they offer family portraits to local residents, while each reflects on their own aspirations and personal growth. Instead of hiring professional actors, Jeong cast real people who naturally brought authenticity and warmth, adding depth and charm to the story. Screening at the Ministry of Foreign Affairs: Bringing Madagascar to Seoul On July 29th, around 60 staff members of Korea's Ministry of Foreign Affairs gathered to watch Dreaming Photo Studio. The screening immersed the audience in Madagascar's breathtaking landscapes - from fiery sunsets to towering baobab trees and vast rice paddies that reminded some of Korean countryside. The visuals captivated everyone so much that director Jeong humorously noted, "The scenery is so beautiful, you might forget about the acting!" Jeong revealed that every member of the film crew-from camera operators to sound technicians-was a first-timer with no prior experience. The dedication and passion of these "civilians" turned a modest project into an international success story. The Africa Section Two team at the ministry organized the event to deepen Korean officials' appreciation of Madagascar's culture and nature. In April 2025, Dreaming Photo Studio was officially invited to the prestigious 47th Moscow International Film Festival, held from April 17th to 24th. The film competed among over 200 films from 50 countries and gained attention for its sincere portrayal of simple people chasing dreams against the stunning backdrop of Madagascar's landscapes. While many films at the festival had large teams and budgets, this indie film stood out because its entire cast and crew, except the director, were beginners. Jeong described the invitation as "a miracle," emphasizing how the film's genuine emotions and unpolished yet heartfelt performances resonated strongly with both audiences and critics alike.