Harmonies of history come to life with musical performances at monuments

Delhi has always found its rhythm within its ruins. From Mughal grandeur to Sultanate tombs, heritage sites that were once just tourist attractions now reverberate with Sufi mehfils and the rhythmic tinkling of ghungroos from dance recitals. Festivals held at these monuments reflect a more immersive way of experiencing heritage in the capital.

‘Heritage is more than a backdrop’
Heritage is more than just a backdrop for events. Music may draw attention, but the monuments tell their own stories. “The setting makes the music feel more intimate and meaningful, while the music brings renewed attention to heritage spaces. Together, they help reposition these venues as living cultural spaces,” explains Pranjal Begwani, Candlelight Team Lead (India & Thailand), at an intimate concert firm, who has hosted events at venues like Purana Qila, Safdarjung’s Tomb and Sunder Nursery.
These events not only promote heritage but also encourage people to visit monuments and understand them better. “Digital platforms inevitably flatten sensation – you can’t feel the acoustics of a 12th-century monument through a reel,” says Simar Malhotra, founder of a firm dedicated to promoting heritage, which organises Songs of the Stone, a musical heritage evening.
Last year, Vivek Aggarwal, Secretary in the Ministry of Culture, spoke about the role of corporate partnerships in planning cultural events, supporting musicians and contributing to the restoration of heritage sites. He said, “We have been discussing this for a long time with our ASI officials – that if the kind of work done at the Red Fort could also happen at other monuments and heritage sites, we could create a cultural calendar for our people and attract more youngsters to these spaces.”

‘Considerable care and respect is necessary’
Preserving monuments remains at the heart of such events. Ratish Nanda, CEO of the Aga Khan Trust for Culture (AKTC), which manages Sunder Nursery, says, “Sunder Nursery lies within the buffer zone of a World Heritage Site, and the amphitheatre has been constructed on land that is neither protected nor under the ASI. It was built only after thorough research and excavation, ensuring that no historical or archaeological remains would be disturbed, and all events are held within this designated area.” He adds that lesser-frequented monuments like Tughlaqabad Fort need to be prioritised to draw visitors so that heritage, too, benefits.

‘The stones have embedded stories’
Manjari Chaturvedi has performed at heritage sites ranging from Purana Qila and Qutub Minar to Bara Dari and Fatehpur Sikri. Sharing her emotional connection as an artist, she says, “A heritage monument has its own histories and stories, embedded in the stones for centuries. Music brings it out. When we perform these ancient art forms in such spaces, the experience multiplies for the audience.”

‘People want to engage with heritage’
Simar notes a shift in how people engage with heritage. “People are moving away from engaging with heritage academically or intellectually, and are increasingly wanting to feel it. Curated experiences like ours meet people exactly there, in that emotional, intimate register.”
Pranjal shares insights from the post-experience survey conducted by the concert firm: “About 66% of attendees in India said ambience plays a key role, which shows how strongly the setting shapes the connection with music. With 83% of attendees in India being first-time Candlelight visitors, the format acts as a gateway, drawing in new audiences who then experience historic venues in a fresh, emotionally engaging context.”

From preservation to active cultural engagement

Sabhyata Foundation, which actively works on preserving heritage, often hosts music and dance events as well. Harman Sawhney, General Manager of Events and Experiences, notes, “These events shift the narrative – from preservation alone to active cultural relevance… It’s a sustainable way of building cultural awareness. When someone attends a concert or performance at a monument, they often return with a deeper curiosity about its history.”