This story is from May 6, 2024

Malayalee From India's box office collection day 5: Nivin Pauly’s film mints Rs 1.18 crore on Sunday

'Malayalee From India' by Nivin Pauly earned Rs 10.1 crore globally, with Rs 7.46 crore in India. The film featured Dhyan Sreenivasan and Anaswara Rajan, with potential for political commentary but an underwhelming climax.
Malayalee From India's box office collection day 5: Nivin Pauly’s film mints Rs 1.18 crore on Sunday
Nivin Pauly’s latest release, ‘Malayalee From India', sustained its momentum, securing a substantial collection of approximately Rs 1.18 crore on its fifth day of release, reported Sacnilk. As per the report, the film collected an impressive total of Rs 7.46 crore in net earnings within its initial five days in India.
Statistics reveal a noteworthy 29.19% Malayalam occupancy on Sunday, May 5, 2024.
1x1 polls
The morning shows recorded 15.82%, the afternoon shows at 35.03%, the evening shows boasting 33.99%, and the night shows maintained a solid 31.91% occupancy on Sunday.
By the end of the fifth day, ‘Malayalee From India’ has collected Rs 10.1 crore from worldwide collection, and overseas markets have also contributed significantly, with international box office earnings totaling Rs 3 crore.
The film, helmed by director Dijo Jose Antony, features Nivin Pauly, Dhyan Sreenivasan, and Anaswara Rajan in pivotal roles.

Malayalee From India - Official Teaser


ETimes rated the film 3 out of 5 and wrote, “Dijo Jose Antony's Malayalee From India is a well-intentioned film with the makings of something that could have done wonders in terms of political commentary or even addressing the root of some of the social issues. But, somewhere, control over the story and the scale of it are lost, leading to an underwhelming climax that was more for the gallery than anything. That said, Nivin Pauly has once again given a good performance, which was wild and unhinged when necessary and grounded when that was required. The message of the film is clear, but it goes to deliver it in such a roundabout way that one would feel like they watched two different films.”
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