Mandi cast reunite at a pride film festival to honour Shyam Benegal’s legacy

In a moment of cinematic nostalgia and quiet celebration, the 16th Kashish Pride Film Festival brought the cast and crew of Mandi (1983) back together after 42 years. The reunion took place on the evening of June 6, as part of a tribute to filmmaker Shyam Benegal, a long-time patron of the festival and a pioneer of socially engaged Indian cinema. Held in Mumbai, the screening was part of a retrospective honouring Benegal’s fearless storytelling — known for its sharp take on power, patriarchy, and sexuality. The event struck a chord with audiences and cast members alike, many of whom described the experience as deeply emotional.

Actor and singer Ila Arun, who debuted with the film, said watching it again was like “reliving the entire experience.” Soni Razdan echoed the sentiment, noting how Mandi was “truly ahead of its time” and a project shaped by collaboration, experimentation, and a willingness to push boundaries.

The film’s ensemble cast had camped together in Hyderabad during its shoot — an unconventional production model that Razdan said helped create the “kaleidoscopic mad caper” that audiences still remember today.

Joy Bimal Roy, who began his career as Benegal’s assistant on Mandi, recalled the director’s egalitarian approach on set: “He treated senior actors and juniors alike with respect. Watching the film again after 43 years was a flood of memories.”

The tribute held special meaning for Pia Benegal, costume designer and daughter of the late director. She highlighted her father’s commitment to “exploring stories from the margins” and his belief in inclusive storytelling — values that align closely with KASHISH’s ethos.

Festival Director Sridhar Rangayan described the Mandi reunion as “a dream come true,” noting that Benegal’s work continues to inspire contemporary filmmakers with its blend of compassion, courage, and creative risk.

As the festival celebrates a new wave of queer narratives, the Mandi screening stood as both a nod to the past and a reminder of the timeless relevance of films that dared to challenge the status quo.


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