Curated playlists & sing-alongs: How Kolkata is unplugging with listening parties
Not just background noise anymore
In an age of algorithm-led playlists and passive streaming, Kolkata’s listening parties are reviving attentive, collective listening. For Rupam Islam, the idea is deeply personal. “Music, for me, is not something to be consumed randomly or in fragments while doing other work,” he said. The same approach shaped the Fossils 7 listening session, where audiences followed projected lyrics. “People didn’t just listen and leave; they stayed, reacted, discussed,” he added. A similar ethos drives weekly Jam Steady sessions at Skinny Mo’s Jazz Club, where curator Nishit Arora has built a community around curated playlists, projected album art, and shared listening experiences.
I have always believed in conscious, mindful listening. I wanted people to return to the experience of listening to an album from start to finish, with full attention
Creative labs for music
While some listening events are audience-facing, others function as collaborative spaces within the indie ecosystem. Q says OddSpace, his collaborative initiative, operates less like a venue and more like an artist collective, hosting “peer-group listening sessions” where producers share unfinished tracks with a curated circle. These sessions prioritise feedback over fandom, often evolving into mentorship hubs. OddSpace has also partnered with Reproduce Sessions for public events featuring Death By Anjuna, Takeverse & National Animal to name a few.
It always helps create a mood-driven playlist, instead of only focusing on genre. It’s all about the beats, it creates a vibe that everyone can tune into
For many organisers, listening parties are becoming about participation and shared experiences. At The Courtyard Project, Niharika Chowdhury is hosting a Summer Solstice Listening Party on June 21 built around familiar music, projected lyrics, and communal singalongs. “What excites me most is that this will not be centred around one performer or band, but around a shared musical experience,” she said, adding that the idea grew from attendees wanting a more participative format. Niharika describes the venue as “a space that feels like an escape from the city – somewhere rooted in nature, community, and slower intimate experiences.”
The sessions are less of public fan events and more for collaborative feedback spaces, where reactions and discussions directly shape the final production process of an album
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