Oru Durooha Saahacharyathil, directed by Ratheesh Balakrishnan Poduval, delivers a highly entertaining first half but stumbles into a rather convoluted second half. It joins the list of films with compelling premises that almost work brilliantly, yet fall slightly short in execution.
Set in Thirunelli, the story follows Sethu (played by Kunchacko Boban), a healthcare worker who is also the primary caregiver for his bedridden brother Madhu (played by Dileesh Pothen). Madhu struggles with mental health issues and frequently hallucinates the presence of their deceased uncle, Markose. The narrative takes shape when a suspected Maoist, Rajendra Prasad (played by Sajin Gopu), enters their lives.
Sethu is weighed down by hostile neighbours, workplace mistreatment, and the emotional toll of caring for his brother. In a desperate attempt to keep Madhu calm, he takes on the persona of their uncle whenever Madhu calls out for him. Kunchacko Boban delivers an exceptional performance, capturing Sethu’s timidity, inner torment, and gradual emotional unravelling with remarkable nuance. Dileesh Pothen is equally compelling, portraying Madhu with an intense, unpredictable energy.
Sajin Gopu brings both vulnerability and menace to the role of the suspected Maoist. Meanwhile, Chidambaram appears as Armiyas, a police officer and cousin to the brothers, delivering a decent performance in his acting debut.
The film’s first half concludes with a fourth wall-breaking scene. However, the second half takes a sharp tonal shift. While not entirely unexpected, the transition feels jarring, as though the film is uncertain about the direction of its climax.
At its core, the film raises thought-provoking questions about the thin line between sanity and insanity, and the ethics of enabling behaviour. Sethu’s predicament is particularly poignant—his helplessness pushes him to sustain his brother’s hallucinations as a coping mechanism. Despite this strong thematic foundation, the film gradually loses its grip, becoming somewhat predictable toward the end. The timeline of events also feels unclear at times, leaving questions about the characters’ ages and progression.
That said, the dark, situational humour works effectively. Arjun Sethu’s cinematography deserves special mention for capturing both the scenic beauty of the locations and the emotional depth of the story in the intense scenes . Supporting performances by Jaffer Idukki, Sharanya Nair, and Sudheesh add value to the narrative.
Overall, it is a film with a gripping premise, strong performances, and an engaging first half, but one that slightly loses its way in the latter portion.
0/5